ULTRAXY

by Andrea Valle

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1.
Arkignol 03:34
2.
Megafish 02:59
3.
Kiosk 02:51
4.
5.
Ultraorbism 04:28
6.
Andromeda 03:02
7.
Borratxo 05:21
8.
Endimio 03:59
9.
Guerra 03:23
10.
Nuvol fosc 03:26
11.
Selenites 02:26
12.
Viatge 04:22
13.
Cetaci 02:58
14.
Membranacee 02:45
15.
16.
17.
Battaglie, I 01:39
18.
19.
20.
21.
Eléonore 02:52
22.
Brigitte 02:50
23.
Catherine 02:43
24.
Karine 02:40
25.
26.
Jacqueline 02:38
27.

about

Music for Marcel·lí Antúnez Roca's Alsaxy (2015) and Ultraorbism (2015-16)

I. Alsaxy (1-4)
II. Ultraorbism (5-13)
III. Alsaxy reloaded (14-27)

Bonus tracks:
21-26 Cortège d'Alsaxy, I-VI, slight return

credits

released March 9, 2017

I and II: live recording (with no overdubs)
III: algorithmic composition

Andrea Valle: algorithmic composition, physical computing systems construction, computer programming and live performing, feedback pedal system, basses, voices, objects and DIY instruments, recording (1-4 and 14-27).

Mike Sapwe: poetry jamming in Poème de l'argent

Annalisa Pascai Saiu: voice samplings in Viatge and Cortège d'Alsaxy
Federico Marchesano: double bass samplings in Cortège d'Alsaxy
Marcel·lí Antúnez Roca: trumpet samplings in Cortège d'Alsaxy

Carlo Barbagallo: recording (5-13), mix and mastering.

Thanks due to:
Marcel·lí Antúnez Roca; Annalisa Pascai Saiu; Carlo Barbagallo; Cisco Steardo, Liuteria Alvermann, for the “cetro”; Francesco Richiardi, Elettronica RR, for undefatigable technical support, Isabella Indiesigh, portrait picture on the CD.

Composed and recorded at OfficinaDiBuffalmacco

Cover: “Parva larva” series, 1 of 200, algorithmic pen tracing on paper by a computer-controlled toy caterpillar, Andrea Valle with Francesco Busso and Alessandro Viale

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solitunes Turin, Italy

SOLITUNES

Solo dischi in Solo

Un’ isola deserta, un musicista, un microfono.
Una dichiarata discriminazione di numero, mai di genere.
Dovunque la musicalità porti il suo autore: alla canzone o alla musica astratta, a una linea sola o a più’ voci sovrapposte.
Immagina un autoritratto. Un autoritratto in musica. E poi mettiti in ascolto.
... more

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